Monday, 24 August 2015
Having resolved to cease blogging my dress makes (as documenting them often takes as long as making them), I will break this resolution to join in with the collective outpouring of joy at having finally got my hands on Dottie Angel's sewing pattern for Simplicity - released in the UK this month.
Deciding to make C (the dress version with contrast skirt band), this long awaited frock needed some celebratory fabric so I chose two bold fruity fig print cottons – both end-of-line quilting fabrics bought at Worthing's Sewing Machine Shop. These fabrics remind me of Adelle Lutz's Urban Camouflage costumes for David Byrne's film True Stories.
It's a quick dress to make and the pattern will lend itself well to modifications, but for my first attempt I faithfully followed the instructions. The insides are french seamed and sleeves and neckline finished with bias trim, so it's a garment that's beautiful inside and out.
My finished frock is bold and lovely and a perfect starting piece for this year's handmade autumn wardrobe.
Friday, 7 August 2015
I picked a sunny day to cycle Post To The Coast art trail. An evolving heritage project by Creative Waves Community Arts, this year-long coastal trail covers a 6 mile route starting at Worthing Lido's traditional English seaside sweet shop and ends at the corrugated steel Nissen Hut at Shoreham Fort. The trail shows artwork, seaside memories and poems inspired by postcards featuring the Sussex coastline.
Having taken part in early research workshops for the project investigating historical postcards at Worthing Museum, and subsequent art workshops at Shoreham Fort, I was keen to experience the whole trail. A bright sunny day with a westerly wind blowing towards Shoreham made cycling an ideal way to cover the entire route. Proceeding at a leisurely pace on my upright trusty Dawes bike and stopping to look and think along the way, it took me 2 hours to complete the trail.
I'd looked at the interactive trail map before setting off, so had an idea where the artwork would be, but still found it exciting each time I saw a new piece of art or an information post containing a story or a bygone holiday memory. The section along Lancing seafront from Beach Green to Widewater Lagoon is superb, with artwork hung along the slatted wooden walls defining the beach. This is a perfect place to view art and contemplate the history of the area with ever changing skies and sea as a backdrop – an invigorating experience for the senses.
I was thrilled to discover my own drawn postcard (above) installed on a weathered wooden wall alongside the beach huts at the end of Lancing Beach Green. Another personal highlight was at Shoreham Beach's Old Fort Road where a row of painted wooden postcards hang along a fence outside a corner house (on Ferry Road). These 19 simple, beautiful images are reminiscent of Alfred Wallis and were made by students at Shoreham Academy - a must see.
Finally arriving at Shoreham Fort I found artwork hung on the side of the wooden postbox and in the rear windows of the Nissen Hut, where my drawings are also on display alongside some poignant pieces made by fellow artists at the Creative Waves Wednesday Fort workshops.
Post To The Coast trail will continue to grow throughout the year and visitors are invited to share their own Sussex seaside memories and contribute postcard artwork. Free trail maps and postcards are available along the route (and at Worthing Museum), and information on how to take part can be found at Creative Waves.
Monday, 20 July 2015
It's seven years since I last visited Malmö and in that time the city has transformed from post industrial port into a colourful model of eco-friendliness. I walked through the fabulous Folkets Park and explored the streets around Möllevångstorget. Möllan is Malmö's multicultural hub, renowned for its fruit and veg market and packed with restaurants and cafés, as well as being a destination for second hand clothes shopping.
Wednesday, 15 July 2015
A flying visit to Stockholm gave me the chance to sample the textures and colours of this stunning Scandinavian city. The motive for my trip was an invitation to take part in a photo shoot for Gudrun Sjödén's spring 2016 catalogue – a day's work in the best possible circumstances, with the most wonderful people. Photos from the shoot will be released in January 2016, but for the canny there's a sneak preview @gudrunsworld. I'm keen to find out which photos from the day are chosen for the spring catalogue but have to wait until January along with everyone else! So for now, here's a sample smörgåsbord of Sweden's beautiful capital instead.
Monday, 22 June 2015
Worthing's BugCycle community garden has just become even more colourful thanks to a generous donation from Gudrun Sjödén, Swedish designer of sustainable fashion and champion of environmentally conscious design. Gudrun kindly sent us a bundle of eco-cotton fabrics and home furnishings to use in our burgeoning wildlife garden.
BugCycle was set up by community arts producers Creative Waves in partnership with Worthing Wildlife to regenerate an area in one of the town's central parks. Since February this year, we and a team of volunteers have transformed a disused part of Beach House Park using largely found, recycled and donated materials into a living, educational, sensory garden for all to enjoy.
Gudrun Sjödén sent us a selection of Långrand striped organic cottons in delicious shades of guava/turquoise, lavendula/sky, asparagus/pineapple and peony. I decided to make gardening hats and aprons for our volunteers to wear, as well as some cushions and bright bunting to decorate and furnish the garden. I used these fabulous fabrics together with some Gudrun Sjödén material left over from previous projects.
The aprons are based on Gudrun's perfectly practical Nyttan gardening apron with one large divided wrap around pocket and long fastening ties (I'm wearing a ruby red Nyttan apron in these photos). The hats are made using Etsy shop WorthyGoods super Over The Top sun hat sewing pattern. I sewed simple envelope back cushion covers from the Långrand cotton to complement two of Gudrun's Melissa and Flox print cushions. All left over pieces of fabric were cut into triangles of different sizes and sewn into colourful bunting. Not a scrap of material was wasted!
These photos were taken at a Creative Waves BugCycle Art in the Park workshop, but on another day you could see the Worthing Wildlife Team at work here, one of the town's community groups or up to 120 local school children using the garden as an outdoor learning space.
We'd like to thank Gudrun Sjödén for bringing her Swedish design with a green soul to our own very green and thriving community garden!
Gudrun's eco-cotton fabrics and home furnishings are available from her web shop.
Tuesday, 2 June 2015
It's time I documented my second year of making my own clothes. This year there was no outright self-imposed ban on buying new or second hand clothes, so I have been lucky to acquire a few more beautiful Gudrun Sjödén pieces, as well as purchasing some needed socks and knickers.
The original year-long-experiment which began in May 2013 has remained habit changing and sewing my own is a regular part of my weekly routine. Between 17th May 2014 and 31st May 2015 I sewed a lot of dresses, a few tops, had a summertime flurry of trouser making, and made three beautiful coats.
The Wiksten Tova was my 'discovery' staple sewing pattern this year, and the one I've made most of (current Tova count is six). My second favourite repeatedly sewn pattern is the Lisette Portfolio dress Kerry Green most generously sent me in January (I made three). I must also mention its sister-pattern the lovely Liesl & Co Cappuccino dress (four more of these now hanging in my wardrobe). The 'outsider lovely surprise pattern' was Scarlet et Marguerite's Baba Yaga dress.
|Garment Of The Sewing Year: Burda 7072 Quilted Coat|
The round-up photo above doesn't include everything I made, and not all of it was blogged – there are at least three more holiday dresses and six pairs of baggy trousers not included here. I may try to slow down production in the coming year, but can't see myself stopping as I love the act of sewing and the self expression of wearing handmade clothes. I wear something I've made myself every day of the year.
I am however, a little less keen to continue photographing and blogging my makes (and my gurning face) so am not sure if there'll be a third year with a round-up like this. In part I think joining Instagram has removed some of the urge to blog. So much social media, so little time.
For now though, it is a pleasure to present the line up of clothes sewn in my second sew-my-own year.
|Trouserathon, July 2014|
Friday, 22 May 2015
I made this dress in three hours from start to finish, including cutting out the paper tissue pattern. It's a Butterick 3349, a vintage 70s kimono sleeve pull-over dress from Butterick's fabulous Sew & Go collection. Try this Google search to see more patterns in this range. They're forerunners to the modern Japanese sewing book designs with clean simple lines and loose easy-fit shapes. Instant gratification sewing!
I used a heavy Japanese dragon-fly print cotton which is more subtly beautiful than these pictures show, it has a textured slub weave.
The dress came together rapidly to the amusement of Instagram friends. I made two small changes to the pattern – the turn up cuffs felt too heavy and businesslike for the soft kimono sleeve, so instead I finished the sleeves (and hem) with a bias binding; I also added two small front pockets. I love the fact that it was so quick to make and is comfortable to wear. There will be more of these on the way!
Tuesday, 19 May 2015
McCall's Create It range was a 1990s collection of sewing patterns designed with interchangeable mix and match pattern pieces so that you could customise the design and 'make it your own'. Sadly it looks like the idea didn't take off for McCall's and their Create It line is now out of print. I managed to track down a M5928 Create It dress pattern on eBay though and was excited to give it a whirl.
The M5928 dress appealed because it reminds me of Scarlet et Marguerite's Baba Yaga. It has a long, almost medieval front yoke and lends itself to using contrasting fabrics and fancy braid trims. Once made up it's a much more voluminous affair than the streamlined illustrations on the packet suggest. Still a lovely design, but quite different to the drawing on the packet.
I'm very happy with my fabric choices for this one. The yoke and cuffs are in a John Lewis Daisy Chain archive print designed by Pat Albeck. The body and sleeves are another John Lewis cotton archive print called Cummersdale. Both designs were reissued for the store's 150th anniversary last year. I found both fabrics on sale at a discounted price (they are possibly good seconds) at Ditto in Brighton. I finished the dress with some embroidered turquoise braid.